Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Henri Matisse
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ID: 30931

Henri Matisse Goldfish
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Henri Matisse Goldfish


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Henri Matisse

French Fauvist Painter and Sculptor, 1869-1954 Henri Matisse is considered the most important French artist of the 20th century and, along with Pablo Picasso, one of the most influential modernist painters of the last century. Matisse began studying drawing and painting in the 1890s. A student of the masters of Post-Impressionism, Matisse later made a reputation for himself as the leader of a group of painters known as Les Fauves. An ironic label given to them by a critic, the name reflected Matisse's aggressive strokes and bold use of primary colors. In 1905 Matisse gained sudden fame with three paintings, including Woman with the Hat, purchased by the wealthy American ex-patriot Gertrude Stein. Beyond painting, he worked with lithographs and sculpture, and during World War II he did a series of book designs. Later in his career he experimented with paper cutouts and designed decorations for the Dominican chapel in Vence, France. Along with Picasso,   Related Paintings of Henri Matisse :. | blue nude lll | The Black Table (mk35) | woman bedoew a mirror | Music | Le Buisson |
Related Artists:
Marie-Guillemine Benoist
Paris 1768-1826 was a French neoclassical, historical and genre painter. She was born in Paris, the daughter of a civil servant. Her training as an artist began in 1781 under Élisabeth Vigee Le Brun, and she entered Jacques-Louis David's atelier in 1786 along with her sister Marie-Élisabeth Laville-Leroux. The poet Charles-Albert Demoustier, who met her in 1784, was inspired by her in creating the character Émile in his work Lettres Émilie sur la mythologie (1801). In 1791 she exhibited for the first time in the Salon de Paris, displaying her mythology-inspired picture Psych faisant ses adieux sa famille. Another of her paintings of this period, L'Innocence entre la vertu et le vice, is similarly mythological and reveals her feminist interests in this picture, vice is represented by a man, although it was traditionally represented by a woman. In 1793, she married the lawyer Pierre-Vincent Benoist. Her work, reflecting the influence of Jacques-Louis David, tended increasingly toward history painting by 1795. In 1800, she exhibited Portrait d'une negresse in the Salon. Six years previously, slavery had been abolished, and this image became a symbol for women's emancipation and black people's rights. This picture was acquired by Louis XVIII for France in 1818. An important commission, for a full-length portrait of Napol on Bonaparte Premier Consul Français in this period was awarded to her in 1803. This portrait was to be sent to the city of Ghent, newly ceded to France by the Treaty of Luneville in 1801. Other honors came to her; she was awarded a Gold Medal in the Salon of 1804, and received a governmental allowance. During this time she opened an atelier for the artistic training of women. Her career was harmed by political developments, however, when her husband, the convinced royalist count Benoist, was nominated in the Conseil d'État during the post-1814 monarchy come-back called the Bourbon Restoration.
Gerrit Willem Dijsselhof
painted Autumn Day in 1895
Paulus Moreelse
(1571, Utrecht - 6 March 1638, Utrecht) was a Dutch painter, mainly of portraits. Moreelse was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the zadelaarsgilde, which was the traditional name in Utrecht for the Guild of Saint Luke. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first deken. Moreelse was a well known portrait painter who received commissions from right across the Dutch Republic. His earliest work dates to 1606. Other than portraits, he also painted a few history paintings in the Mannerist style and in the 1620s produced pastoral scenes of herders and shepherds. He belonged to the same generation as Abraham Bloemaert and Joachim Wtewael, and like Wtewael he played an important role in the public life of their city. His version of Diana and Callisto was engraved by Jan Saenredam. In 1618, when the anti-remonstrants came to power in Utrecht, he was raadslid.






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